As the scene opens, Anna reviews, with feigned antipathy (because we know she does like coming over to get tied up), the upcoming final scene of her booking with the bogus rebranding photographer. She sits in the bondage chair to which she is about to be attached, now dressed in a shiny spandex catsuit (hers). She holds, and describes, the tools to be used for her confinement: leather Gwen hood, finger control mitts, tape, and rope. Anna also reminds us her agent is going to get a loathing earful when she gets home. However, given her obvious enjoyment of the helpless condition she is about to experience, her agent may not be in as much trouble as Anna would have us believe. Her mouth is taped under the hood. I did not stuff Anna’s mouth, but the combination of tape and leather confining her lips and cheeks provide real voice muting, as well as comfort for our lovely guest. I wanted her to be comfortable for the final scene of our long bondage shoot partnership. Comfort does not infer escape is possible, nor sensible syllables uttered. Anna will certainly not escape this one without help. She is almost immobilized in the bondage chair with secure rope windings holding her legs and stocking feet to the chair legs. Anna’s torso is welded to the chair back at her waist and above her breasts. Her feminine hands are confined in soft leather finger control mittens, which are locked, and tied together behind the chair back with more hemp rope. Anna can see herself in a mirror throughout, and she is enjoying what she sees, and feels.

File Name: anna24_1080_bdg.mp4
Format: MPEG-4
File Size: 473 MiB
Duration: 9 min 47 s
Resolution: 1920×1080 (16:9)